I have been working on my In an Open Hand intuitive card deck for at least a year and a half now. It contains 64 cards, each with a different word and prompts for different parts of self for reflection. It is also split into seasons. I’ve finished the prompts for fall and winter, but have much left to do for spring and summer. I’ve been waiting impatiently for spring to be on the horizon so that I can get back to creating in this way again. As I wait for signs winter is lifting, I decided to spend some time reflecting on the process so far.
If you are interested in creating your own intuitive deck, here are a few tips and ideas about how you might go about doing so, based on what I’ve learned from my own experience:
- Decide on a few themes that have a numerical basis to them. For example, I’ve incorporated moon phases, seasons of the year, body systems and the like into my deck. This allowed me to create “suits” as well as types of cards within each suit. Doing this allows for a more intimate focus on a particular area of your inner world and can help to give you some direction.
- Consider the purpose you would like your deck to serve in your life and what you would like to learn from it. Intuitive to me speaks to exploring my internal experiences, but it might mean something else to you. What I love about making my own set of cards is that I am not conforming myself into someone else’s way of conceptualizing things but can be as free as my imagination will allow me to be.
- Do words or images speak more to your inner world and your intuition? If images are how you process, you may want to begin by creating the artwork for each card and then letting your ideas flow from there. I am much more comfortable with my writing skills, so I’ve started with laying out my ideas in language and am still working on finding a way to represent them visually.
- For which type of person do you want your deck to be accessible? As a non-binary person, I’ve been extremely frustrated by the strict gender binary most tarot and oracle cards incorporate, so it was important for me to find a way to represent my spirituality that would not reinforce the gender binary. Even if you are the only one who is going to use the cards you create, spend some time making sure you are welcoming all parts of self and not solely the ones with which you are most comfortable.
- Take your time. I have gotten a lot of fulfillment from having an ongoing creative project with no set end-date and a maximum amount of flexibility. I feel inspired by having something in my life that isn’t focused on deadlines, productivity, making an impression or fitting in. It is possible that you might start creating an intuitive deck and find yourself led in another creative direction. Be open to possibility.
If you have dedication to inner work and/or creativity, what wisdom or inspiration do you have to share? What word or image would feel appropriate to your day today? What does it mean to you to attend to your intuition?
Today’s card prompted me to recall a pleasant memory. What came to mind was a memory of one of the first times I experienced nature as something more than scenery but instead as a revelation. I was in graduate school and decided I needed a bit of a break. I drove, by myself, several hours to a small cabin rental in West Virginia. What I discovered in that state was breathtaking (and contrary to the aspects of West Virginia that are typically emphasized).
My travels took me through switchbacks, which are curved roads up and down mountainsides. I felt uncertain as to whether I could successfully navigate my way to my destination. Finally, I arrived in an area that opened skyward, and, looking to my right, saw a shear rocky cliff jutting out of a mountainside, surrounded by dense forest. I felt tears welling up in my eyes because I had never seen anything so awe-inspiring in nature. I *think* it was Seneca Rocks but I’m not certain.
Once I reached the vacation lodging, I found that the cabin was perfect. It was secluded enough to allow for privacy, but not so isolated that I felt alone. I was able to draw and cook and spend time in inner work in a way that I had never before accessed. It was my own spiritual retreat.
I spent time in nature as well, hiking into the forest until I arrived at a meadow with butterflies and tall grass. There was a stream running beside the campground bubbling with clear water and pale grey rocks. In the evenings, I sat out on the porch of the cabin enjoying the starlight.
I’ve wanted to return to this site again, but something tells me it was a bedrock moment in my life, one on which the whole of who I am becoming was built that cannot be recreated. It was within a few months of this trip that the full extent of my childhood trauma came clear to me, as though I needed to give myself the time and space to allow for its unfurling. As I contemplate the elements of self-care and self-expression that I most cherish, I engaged in nearly every one of them in the span of those few days, save true mindfulness as I had not yet encountered teachings on it. I started becoming myself there; it was the moment of glancing up and seeing the cliff and knowing at my core that there was more beauty than sorrow at the end of it all that inspired me. Even if I never return to West Virginia in this lifetime, it will always hold a special place in my heart.
What place(s) have left you awestruck in their natural beauty? What moments do you look back on as turning points towards a deeper understanding of yourself? Where has Nature met you when you most needed Her to?
In learning about permaculture in a class I took, a principle that I found intriguing was that of designing systems based on patterns that exist in nature. I haven’t applied these concepts to any attempts to cultivate plants, but I am finding the concept coming back to mind as I create my In an Open Hand deck card illustrations. In essence, I am experimenting with a more abstract form of art that is still rooted in nature.
I succeeded in drawing a pine branch that I found aesthetically-pleasing, but, as soon as I attempted to draw an entire tree, I found myself completely out of my depth and managed to pencil only a very abnormally-shaped and odd Christmas tree. I have plans to take a colored-pencil class next summer which will hopefully help me improve my skills, but, after my trip to the art museum, I started contemplating the idea of capturing nature on a more abstract level. What I’m currently trying out is outlining a natural shape, such as a pine tree, and then filling it in with more abstract forms such as wavy lines. What I’m making looks a bit like a cartoon but at least approaches something that isn’t repulsive to me.
What I love about turning to nature for ideas is that there are many from which to choose. Below are a list of websites that list possibilities for designs based on nature:
A few commonalities among the website suggestions include waves, spirals and web formations. As far as I understand it, permaculture focuses on physical design to benefit both humans and the ecosystem and is not concerned with aesthetics as a core value. However, I like the idea of tapping into the components of the natural system as a source of creativity, rather than limiting myself to a literal (and highly imperfect) representation of what I take in through my senses. To the extent that you spend time outdoors and/or in nature, how do you translate what you see into your creative passions? In terms of artistic creations, where on the spectrum of literal to abstract do you find yourself falling? Why?
I finally drew something I don’t hate! I created this pine branch using my Faber-Castell colored pencils on Strathmore 400 Series Colored Pencil paper. In addition to two types of green pencils, I used yellow to highlight and blue to shade. All the pencils I used are in the 12 pack starter version of the Faber-Castell (I cannot emphasize enough how helpful it was to limit how many pencils I’m trying to incorporate).
In terms of technique, I first started by looking at a pine tree and realized the needles covered the branch as well. I sketched in the brown wooden part of the branch lightly first. I used green at first to line each branch at an angle with both shades of green. Next, I drew with yellow on the ends I wanted to highlight, and blue closer to the branches on the underside and where they met. Finally, I covered the wooden part in a cross-hatch motion nearly parallel to it with both shades again.
In terms of improvements needed, my color balance is messed up because I added the smaller areas of needles after the first few branches and they got too much blue, and because I rotated the final drawing in my photograph. I have to work on where and how to photograph my drawings as the overall color is too dark as well but I was too lazy to go outside in 20 degree F weather to try there. Finally, I have to consider how to make the branch appear more 3-D–I think the needles are alright for this but the branch itself looks rather flat because of the angle I used on the parts that split off.
I started my colored pencil drawings attempting to draw an entire tree and it did not go well. I think I have to break stimuli into their components in order to be able to have any chance of creating a visual representation I find palatable. Observing what I am trying to draw in person proved very useful so that is something I will be continuing. If you like to draw, what do you find useful in drawing natural objects? To what extent do you focus on realism? What serves as your inspiration?
I’ve fallen in love with the sky. Late fall and winter have often been bleak seasons for me, given that all the vegetation is dying off. Now that I’ve started to notice the clouds, sunlight and array of colors present above, I no longer feel that this time of year is austere and lifeless. My only frustration has been my inability to convey in artwork the beauty I’m witnessing in nature.
The card I drew today focused on representing the dark, so I chose to attempt to illustrate the night sky using my set of colored pencils. This was even less successful than some of the day scenes on which I’ve been working. The black, magenta and blues I used seemed too bland and, strangely, lacking in light compared to what the night holds.
I need to spend a lot more time in contemplation of the sky as well as to take a lot of photographs of what I’m trying to capture in order to more fully capture its magnificence. The moon must have a place too! Have you tried to illustrate or create an artistic image of the night sky? What have you found helpful in doing so?
I think it is a highly stressful and depressing time to be a human in many parts of the world today. Even if a person lives in a place with enough resources, security and community, the threat of climate change lurks over all of us. So, for today’s simple pleasure, I decided to take a moment to locate a hopeful and uplifting story of humanity.
The specific story I came across involved two teens who partnered up with a child who was feeling isolated and friendless at their school. They included the child in their lunch hour and have gone on to speak in regional schools about bullying. Their principle reported that other teens at the school are also showing more inclusion and kindness to others.
As humans, we copy behaviors that we observe are praised and those which garner attention. Having the senior students take the initiative to engage in pro-social behaviors led to a desire in others to be like them. Conversely, in schools where the bullies are the popular students, others may start bullying as a way to gain social power.
Stories like the one I found inspire me to put effort into being a kinder person, as I know my actions might influence not only the behaviors of those to whom I am being kind, but also possible bystanders’ behaviors. I can get sloppy in my commitment to positive values when I don’t feel consistently supported or respected. Spending time with this news story today reminds me that I am responsible for co-creating any environment in which I find myself. What is an upbeat or happy news story you’ve encountered recently? What impact did it have on you?